Lockwood was reunited with James Mason in A Place of One's Own (1945), playing a housekeeper possessed by the spirit of a dead girl, but the film was not a success. From her mid-20s Lockwood was seen on the West End stage in Arsenic and Old Lace (Vaudeville theatre, 1966), The Servant of Two Masters (Queens theatre, 1968), Charlie Girl (Adelphi theatre, 1969), Birds on the Wing (Piccadilly theatre, 1969), alongside Bruce Forsyth making his debut as a straight actor, and The Jockey Club Stakes (Vaudeville theatre, 1970). Summary: An interview of Margaret Lockwood conducted 1992 Aug. 27 and Sept. 15, by Robert Brown, for the Archives of American Art. before completing her training at the Royal Academy of Dramatic Art. The Wicked Lady (1945) Drama - Margaret Lockwood, James Mason and Patricia Roc Classic Movies 177 subscribers Subscribe 18K views 2 years ago A noblewoman begins to lead a dangerous double life. As if that weren't cringe-worthy and problematic enough, the use of makeup was reserved for "prostitutes and actresses.". (1937), again for Carol Reed and was in Melody and Romance (1937). Margaret Lockwood moved to Dolphin Square, Pimlico, London in 1937. In between playing femmes fatales, she had a popular hit in the 1944 melodrama A Lady Surrenders (1944) as a brilliant but fatally ill pianist and was sympathetic enough as a young girl who is possessed by a ghost in A Place of One's Own (1945). The amount of cleavage exposed by Lockwoods Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. A rather controversial biographer once . In 1933, Lockwood enrolled at the Royal Academy of Dramatic Art in London, where she was seen by a talent scout and signed to a contract. Here's the unadulterated truth. Margaret Mary Day Lockwood, CBE (15 September 1916 15 July 1990), was an English actress. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. As an only child herself, she had once said: I love children. "[46], The association began well with Trent's Last Case (1952) with Michael Wilding and Orson Welles which was popular. Rex Harrison was the male star. A year later, she married a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. As a result, Margaret took refuge in a world of make-believe and dreamed of becoming a great star of musical comedy. Sign up for BFI news, features, videos and podcasts. Lockwood studied at the Royal Academy of Dramatic Art, Englands leading drama school, and made her film debut in Lorna Doone (1935). But, just what is a beauty mark anyway? Her body was cremated at Putney Vale Crematorium. As such, the shape, color, and even texture can vary. For British Lion she was in The Case of Gabriel Perry (1935), then was in Honours Easy (1935) with Greta Nissen and Man of the Moment (1935) with Douglas Fairbanks Jnr. During the 1940s, she starred in some blockbusters, including Hungry Hills, The White Unicorn, Cardboard Cavalier, and others. This article was most recently revised and updated by, https://www.britannica.com/biography/Margaret-Lockwood, Margaret Lockwood - Student Encyclopedia (Ages 11 and up). Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to their shy, sensitive daughter. Millions of high-quality images, video, and music options are waiting for you. In 1938, she gave her best performance in the movie Bank Holiday; the film launched Lockwoods career. Gaumont extended her contract from three to six years. Was a committed teetotaller all her life and detested the taste of She was in a BBC adaptation of Christie's Spider's Web (1955), Janet Green's Murder Mistaken (1956), Dodie Smith's Call It a Day (1956) and Arnold Bennett's The Great Adventure (1958). In 1944, in A Place of Ones Own, she added one further attribute to her armoury: a beauty spot painted high on her left cheek. A noblewoman begins to lead a dangerous double life in order to alleviate her boredom. Hey Friend, Before You Go.. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. Cinema Personalities, pic: circa 1949, British actress Margaret Lockwood, a leading lady one of the cinema's most popular villianesses of the 1940's British actress Margaret Lockwood plays outdoors with her 5-year-old daughter Julia, who later followed her mother into show business. In December of the following year, she appeared at the Scala Theatre in the pantomime The Babes in the Wood. In June 1939, Lockwood returned to the United Kingdom. It became her trade mark and the impudent ornament of her most outragous film "The Wicked Lady", again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. Duration is 1 hr., 53 min. Directed by: Leslie Arliss. These were standard ingnue roles. Yet much more than Leigh, especially after Scarlett OHara, Lockwood was the kind of girl youd want to walk home from the pictures in the blackout, or, if you yourself were a girl, walk home with arm-in-arm, dodging puddles and drunkenconscripts. In 1938, Lockwood's role as a young London nurse in Carol Reed's film, "Bank Holiday", established her as a star, and the enormous success of her next film, "The Lady Vanishes", opposite Michael Redgrave, gave her international status. Her mother was Margaret Lockwood, raven-haired lead in the Gainsborough studio's period melodramas of the 1940s, including The Wicked Lady. This naturally raises the question: Why are there two different names? The Getty Images design is a trademark of Getty Images. The property has now been converted to flats. The immense popularity of womens melodramas produced byGainsborough Picturesmade Lime Grove Studios (which became the companys wartime berth after production at Islington Studios was suspended) stardoms epicentre: it was the workplace ofPhyllis Calvert,Stewart Granger,Jean Kent,Margaret Lockwood,James Mason,Michael RennieandPatriciaRoc. In an interview withRedbook, Ranella Hirsch, a dermatologist and senior medical advisor to Vichy Laboratoires, further warned,"New things on your skin tend to be bad." These days, Rowland doesn't like to leave home without her trusty appliqud beauty mark. "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. Corrections? If you notice your beauty mark starting to lookasymmetrical, theborder or edges are uneven, it has variations incolor, grows indiameter, orevolves over time, you should make an appointment with your dermatologist to get it checked out. Early Years Under Queen Victoria's reign,beauty standards left little room for anything but smooth, white skin. Spectral in black, with her dark, dramatic looks, cold but beautiful eyes, and vividly overpainted thin lips, Lockwood was a queen among villainesses. The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. The film was a massive hit, one of the biggest in 1943 Britain, and made all four lead actors into top stars at the end of the year, exhibitors voted Lockwood the seventh most popular British star at the box office. Listed on 2023-02-26. Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). This was her first opportunity to shine, and she gave an intelligent, convincing performance as the inquisitive girl who suspects a conspiracy when an elderly lady (May Whitty) seemingly disappears into thin air during a train journey. Gasp! Farid Haddad, managing director of BMA Models, told BBC, "Men and women are both expected to be 'flawless' in the fashion world. Her first moment on stage came at the age of 12, when she played a fairy in "A Midsummer Night's Dream" in 1928. The film inaugurated a series of hothouse melodramas that came to be known as Gainsborough Gothic and had film fans queuing outside cinemas all over Britain. She had a bit part in the Drury Lane production of "Cavalcade" in 1932 . Yet, even she considered having surgery to get rid of it. "[11] Hitchcock was greatly impressed by Lockwood, telling the press: She has an undoubted gift in expressing her beauty in terms of emotion, which is exceptionally well suited to the camera. She appeared on TV in Ann Veronica and another TV adaptation of the Shaw play Captain Brassbound's Conversion (1953). Job specializations: Beauty/Hairdressing. Aged four, Julia made her screen debut playing her daughter in Hungry Hill (released in 1947), based on Daphne du Mauriers novel about a feud between two Irish families. [33] She also appeared in an acclaimed TV production of Pygmalion (1948). Margaret Lockwood was appointed a Commander of the Order of the British Empire (CBE)[52] in the 1981 New Year Honours. Updates? The music was written by Hubert Bath. Listing for: Sport Clips - Stylist - CA519. In 1955, she gave one of her best performances, as a blowsy ex-barmaid, in Cast A Dark Shadow, opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. She was known for her stunning looks, artistry and versatility. She called it My first really big Picture. Margaret Lockwood (1916-1990) was Britain's number one box office star during the war years. After becoming a dance pupil at the Italia Conti school, she made her stage debut at 15 as a fairy in A Midsummer Nights Dream at the Holborn Empire. Access the best of Getty Images with our simple subscription plan. A report published by theJournal of the American Academy of Dermatology(via NCBI) highlighted the "disfiguring scars" left in the disease's wake. With smallpox being all but eradicated by the 19th century, the demand for mouches would eventually become nonexistent. MICHAEL REDGRAVE & MARGARET LOCKWOOD Character (s): Gilbert & Iris Henderson Film 'THE LADY VANISHES' (1938) Directed By ALFRED HITCHCOCK (Allstar/GAINSBOROUGH) SHE was the Queen Of The Silver . They did. Stone appeared with her in her award winning 1970s television series, "Justice", in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. She played an aging West End star attempting a comeback in The Human Jungle with Herbert Lom (1965). With the drama picture Bank Holiday, she created a reputation for herself. She had a small role in Who's Your Lady Friend? Her RADA-trained voice was posh, of course, but not supercilious.Her gentle beauty was heightened by different degrees of melancholy in Bank Holiday (1938) and The Lady Vanishes (1938), undimmed by her playing an indolent, pouting trollop in The Stars Look Down (1939), and coarsened . Any moles or flaws are usually Photoshopped out to create the image of beauty." She was survived by her daughter, the actress Julia Lockwood (ne Margaret Julia Leon, 19412019). ]died July 15, 1990, London, Eng. This is partially dictated by Hollywood's elite. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. England British actress Margaret Lockwood is pictured reading the newspapers as she enjoys breakfast in bed. Lockwood was born on 15 September 1916 in Karachi, British India, to Henry Francis Lockwood, an English administrator of a railway company, and his third wife, Scottish-born Margaret Eveline Waugh. As stated earlier, Monroe's trademark mole may not have been real. Racked explained how women first started applying mouse fur yes, mouse fur to their pockmarks. With Margaret Lockwood, James Mason, Patricia Roc, Griffith Jones. After poisoning several husbands in Bedelia (1946), Lockwood became less wicked in Hungry Hill, Jassy and The White Unicorn, all opposite Dennis Price. That's not to say all faux beauty marks went out of style. [35], That same year, Lockwood was announced to play Becky Sharp in a film adaptation of Vanity Fair but it was not made. That year, she was created CBE, but her appearance at her investiture at Buckingham Palace accompanied by her three grandchildren was her last public appearance. Various polls of exhibitors consistently listed Lockwood among the most popular stars of her era: On this Wikipedia the language links are at the top of the page across from the article title. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. This started filming in November 1939. Our editors will review what youve submitted and determine whether to revise the article. Madeleine Marshtold BBC that it wasn't untilHollywood came to be that moles transformed from something to be abhorred to something to be admired. Her last professional appearance was as Queen Alexandra in Royce Ryton's stage play Motherdear (Ambassadors Theatre, 1980). And I loved it. Lockwood called it "one of the films I have enjoyed most in all my career. Contents 1 Plot 2 Cast 3 Production 4 Reception Barbara insouciantly dons the costume and pistols of a villainous male archetype associated with sexual conquests: the assumption of a highwaymans costume connotes both womens assumption of dangerous jobs formerly done by men and their liberation as sexually independent beings, both products of the war. Moles, Mongolian spots, and cafe-au-lait spots are all considered types of pigmented birthmarks. Ifyou just so happen to wake up one morning and find a brand new beauty mark staring back at you in the mirror, take note. Switch to the dark mode that's kinder on your eyes at night time. She lived her final years in seclusion in Kingston upon Thames, London. InLove Story(1944), a florid romance about the need for self-sacrifice during wartime, Lockwood plays Lissa, a concert pianist who cannot become a Women Air Force Service pilot because she has a weak heart. She was survived by her daughter, the actress Julia Lockwood. She was 73 years old. A year later, she played another fairy, for 30 shillings a week, in "Babes in the Wood" at the Scala Theatre. She complained to the head of her studio, J. Arthur Rank, that she was "sick of sinning", but paradoxically, as her roles grew nicer, her popularity declined. Instead, she played the role of Jenny Sunley, the self-centred, frivolous wife of Michael Redgrave's character in The Stars Look Down for Carol Reed. She was in the following years sequel, Heidi Grows Up, by which time she was training at the Arts Educational School in London. This film also included the final appearance of Edith Evans and one of the later appearances of Kenneth More. "[10], She did another with Reed, Night Train to Munich (1940), an attempt to repeat the success of The Lady Vanishes with the same screenwriters (Launder and Gilliat) and characters of Charters and Caldicott. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). She [45] Lockwood said Wilcox and his wife Anna Neagle promised from signing the contract "I was never allowed to forget that I was a really bright and dazzling star on their horizon. In 1938, Lockwoods role as a young London nurse in Carol Reeds film, Bank Holiday, established her as a star, and the enormous success of her next film, Alfred Hitchcocks taut thriller The Lady Vanishes, opposite Michael Redgrave, gave her international status. If you have a real beauty mark, however, you should be aware of what the SkinCancer Foundation calls the "ABCDE" signs of melanoma, the deadliest form of skin cancer. In 1969 she starred as barrister Julia Stanford in the TV play Justice is a Woman. "[50], As her popularity waned in the post war years, she returned to occasional performances on the West End stage and appeared on television; her television debut was in 1948 when she played Eliza Doolittle.[51]. Whether or not your beauty mark is also a birthmark, romanticist William Shakespeare would've so been into it. Lockwood had a small role in The Amateur Gentleman (1936), another with Fairbanks. The Leons separated soon after her birth and were divorced in 1950. [2] Lockwood attended Sydenham High School for girls, and a ladies' school in Kensington, London.[1]. Enjoying our content? No weekends or evenings required. She was a warden in The White Unicorn (1947), a melodrama from the team of Harold Huth and John Corfield. She was made Commander of the Order of the British Empire in 1980. Karachi-born Margaret Lockwood, daughter of a British colonial railway When she was eight Julia fell in love with Peter Pan on seeing her mother play the role in what had already established itself as an annual postwar institution at the Scala theatre in London. 2023 BygonelyPrivacy policyTerms of ServiceContact us. The actor Julia Lockwood, who has died of pneumonia aged 77, began life in the shadow of her famous mother, Margaret Lockwood, who was confirmed as one of Britains biggest box-office stars with her appearance in the 1945 film classic The Wicked Lady, four years after her daughters birth. Her final stage appearance, as Queen Alexandra in "Motherdear", ran for only six weeks at the Ambassadors' Theatre in 1980. Margaret Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. She was borrowed by Paramount for Rulers of the Sea (1939), with Will Fyffe and Douglas Fairbanks Jr.[15] Paramount indicated a desire to use Lockwood in more films[16] but she decided to go home. The film was the most successful at the British box office in 1946, and she won the first prize for most popular British film actress at the Daily Mail National Film Awards. Whereas the vulnerability and sentimentalism exuded by Calvert and the hard-edged sexuality or selfishness of the Roc persona were discrete qualities, Lockwood demonstrated a capacity to range through conflicting emotions, especially in Gainsborough films, which explored and exploited womens needs anddesires. A visit to Hollywood to appear with Shirley Temple in Susannah of the Mounties and with Douglas Fairbanks, Jnr, in Rulers of the Sea was not at all to her liking. Lockwood, born to a Scottish woman and her English railway clerk husband in Karachi on 15 September, was the most glamorous and dynamic of the female stars. [13] According to Filmink Lockwood's "speciality [now] was playing a bright young thing who got up to mischief, usually by accident rather than design, and she often got to drive the action. She complained to the head of her studio, J. Arthur Rank, that she was sick of sinning, but paradoxically, as her roles grew nicer, her popularity declined. Please like & follow for more interesting content. Stone appeared with her in her award winning 1970s television series, Justice, in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. She is survived by her children with Clark, Nick, Lucy and Katharine, and her son, Tim, from a previous relationship. It became her trade mark and the impudent ornament of her most outrageous film, The Wicked Lady, again opposite Mason, in which she played the ultimate in murderous husband-stealers, Lady Skelton, who amuses herself at night with highway robbery. Lockwood had the biggest success of her career to-date with the title role in The Wicked Lady (1945), opposite Mason and Michael Rennie for director Arliss. During her suspension she went on a publicity tour for Rank. Among her best performances was that in 1938, when Alfred Hitchcock cast her in The Lady Vanishes (1938), opposite Michael Redgrave, then a relative newcomer to Hollywood. Popular British leading lady of the late 1930s who became England's biggest female star of the WWII era. While much of the world in Shakespeare's time was focused on "spotless beauty," the poet and playwright found imperfection to be rather stunning. After poisoning several husbands in "Bedelia" (1946), Lockwood became less wicked in "Hungry Hill", "Jassy", and "The White Unicorn", all opposite Dennis Price. Lockwood had a change of pace with the comedy Cardboard Cavalier (1949), with Lockwood playing Nell Gwyn opposite Sid Field. It was one of the Gainsborough melodramas, a sequence of very popular films made during the 1940s. However, after being given an initial leg-up by her mother famous for the trademark beauty spot painted high on her left cheek the young Lockwood forged her own career, navigating the difficult transition from child to adult actor. "I would get teased by the other kids in school, so I definitely wanted to get it removed," the supermodel told Vogue. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. After what she regarded as her mothers painful betrayal at the custody hearing, the two women never met again, and when a friend complimented Mrs Lockwood on her daughters performance in The Wicked Lady, she snapped: That wasnt acting. "Her mole is not part of any formal perfection, but it is also not an ornament," Greenblatt explained. Much of Shakespeare's work features "figures who are, in the perception of age, 'stained,' and yet whose stain is part of their irresistible, disturbing appeal," according to Greenblatt. She was meant to appear in Hatter's Castle but fell pregnant and had to drop out. She returned with relief to Britain to star in two of Carol Reed's best films, "The Stars Look Down", again with Redgrave, and "Night Train to Munich", opposite Rex Harrison. In the postwar years, Lockwoods popularity fell out of favor. As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. Lockwoods stage appearances included Peter Pan (194951, 195758), Spiders Web (195456), which Agatha Christie wrote for her, and Signpost to Murder (196263). Who knew the social science behind moles could be so complicated? I like consistency when it comes to getting my hair done. "I was terribly distressed when I read the press notices of the film", wrote Lockwood. Believing she will die, she gives up her lover Kit (Granger) to an actress, Judy (Roc), who is mounting an outdoor production of The Tempest on a rugged Cornwall coastal spot. She had a bit part in the Drury Lane production of "Cavalcade" in 1932, before completing her training at the Royal Academy of Dramatic Art.Her film career began in 1934 with Lorna Doone (1934) and she was already a seasoned performer when Alfred Hitchcock cast her in his thriller, The Lady Vanishes (1938), opposite relative newcomer Michael Redgrave. "It is a mark of all that Shakespeare found indelibly beautiful in singularity and all that we identify as indelibly singular and beautiful in his work," the historian further added. [9] This movie was a hit and launched Lockwood as a star. While a real mole's shape is fixed, a mouche could be designed in a variety of styles. And why do people love them or hate them? Lockwood discusses her upbringing in a Boston area Irish family and her early . The film's worldwide success put Lockwood at the top of Britain's cinema polls for the next five years. Simply put, if a person is born with a mole, it is then also considered a birthmark. In 1965, she co-starred with her daughter, Julia, in a popular television series, "The Flying Swan", and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wilde's "An Ideal Husband". Margaret Lockwood autographed publicity for Jassy, The Wicked Lady (1945) photograph (48) | Margaret Lockwood, Margaret Lockwoods jumper Bestway knitting leaflet, Jassy (1947) photograph (34) | Margaret Lockwood, Patricia Roc, Margaret Lockwood photograph (37) | Highly Dangerous 1950, Queen of the Silver Screen Margaret Lockwood biography Spence 2016, Once a Wicked Lady biography of Margaret Lockwood by Hilton Tims, Lucky Star The Autobiography of Margaret Lockwood, My Life and Films autobiography by Margaret Lockwood (1948), 34 Upper Park Rd, Kingston upon Thames KT2 5LD. ), British actress noted for her versatility and craftsmanship, who became Britains most popular leading lady in the late 1940s. The latter title, a gothic melodrama, had been a hit for Gainsborough Pictures . The enormous popular success of this picture led to her second key role in 1945 (again with Mason) as the cunning and cruel title character of The Wicked Lady (1945), a female Dick Turpin. Edwards, before she visits Skefko, Vauxhall and Electrolux and two cinemas - the Odeon in Dunstable Road and the Palace in Mill Street, whose manager, Mr S. Davey, had arranged the tour. The following year, she appeared at the Scala Theatre in the pantomime in the drama The Babes in the Wood. She also doesn't apply the spot in the same place. Streamline your workflow with our best-in-class digital asset management system. Still, our work isn't quite done yet. Anentire faux mole industry was born and a street in Venice, Calle de le Moschete, was named in its honor. The couple had a daughter, Julia Lockwood. She appeared in two comedies for Black: Dear Octopus (1943) with Michael Wilding from a play by Dodie Smith, which Lockwood felt was a backward step[25] and Give Us the Moon (1944), with Vic Oliver directed by Val Guest.
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